Edith Katiji, known professional as Edith WeUtonga is a vocalist, bass guitarist and actor from Zimbabwe. She is currently living in England where she recently completed a Masters in Music Development and has also become the first black woman to be elected as the vice president of the International Federation of Musicians (FIM)
During our time in Zimbabwe, Edith and I became great friends through our music friends and networks. I often supported her live events, and she supported my school events appearing as a performer and guest speaker about women in music. What a privilege to work with her again on a project like this, especially since she is also engaged in research at moment. She has been so supportive and willing to help, on the music side and academically. We initially had a conversation about keeping the folk songs as true to the original as possible and about her own music and the traditional Zimbabwean sound.
I appreciate Edith’s views and advice. The folk songs should be true and authentic and as close to original source as possible. I see this as a benefit for all, it represents Zimbabwe, its relatable to the people, respectful of the culture and is not trying to fit into another style or box. The goal is to share heritage and culture, one that will be new to many, but must remain old and deeply rooted for others.
A Traditional Shona Welcome Song
Children's Play Song with actions
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I first heard this song from a YouTube channel for children learning Shona
The different notes and rhythms reflect the different versions I came across on during my research, but from what I have learnt and know, the song is sang without pitch, but the rhythm is important.
I continued to search the internet for more on this song and the words and more explanation came from a newspaper article about imparting knowledge though childhood games.
A good video that shows some adults playing the game in America was also useful: https://vimeo.com/24011376
From YouTube, I found some versions of this song.
There is also a video of me attempting to sing this song!
I recently came across another version which I really enjoyed and would love to have a choir version along the same lines
I first heard this song listening to the music of the late, great Andy Brown. I think the same as many, that I was unaware that this was originally a traditional song reinvented into an upbeat and catchy modern tune.
Ingwe and Inkonkoni were sent to me by Petros Ndlovu from the Shangano Arts Trust in Hwange.
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This marimba version helped me with some ideas and to get the character of the song:
On the right is simple version, from my friend Ndomu, is also clear and easy to hear the simple melody of the song and below it a choir singing the Dumisani Maraire choir arrangement.
Below is my choir arrangement for SATB.
I first came across this song in 2018 when it was included into the Combined Schools Music Concert as a piece for Choir, Orchestra and Marimba. It’s a great demonstration of how a simple traditional song can be included into a school concert on a large scale while being entertaining and exciting to watch and listen to.
The song is actually very simple and it would be great to write a full arrangement for this, similar to what we did in 2018.
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